Rhythm is king

As promised from the last post, here’s a go at Moraito’s Feria Del Caballo. 

When I first started messing around with (studying) flamenco I was teaching percussion and hand drums in Cumbria, UK. I’ve always thought of myself as a guitarist, but I was fortunate to be taught hand drums be a master drummer from Jamaica. So my 2 musical passions, guitar and rhythm! 

For a project I was handed a Juan Martin instruction video and after watching it for only a short time, I had one of those ‘if only I could do that I would be happy’ moments that happen often and that keep me playing.

There are a series of books (and more) published by Affedis, and one of the first I bought, and I have bought many, was a Moraito tab book. Yes, plenty of ‘if on I could do that I would be happy ‘ moments there. But I connected with Moraito in an immediate way. To this day I still think he’s one of the most sensitive guitarists I’ve ever heard.

https://en.m.wikipedia.org/wiki/Mora%C3%ADto_Chico_II

I learned (most of) the book. Some pieces were very hard (and still are), but I’m always happy when I connect, in my modest way, to the Moraito world.

Sevillanas are very popular in Spain. It’s a couples dance, and everyone in Spain seems to know about them. I believe they’re mainly danced with singers and a band, but they’ve been interpreted for solo guitar by many Flamencos. I like these by Moraito especially.

They seem to be in groups of 4 sevillanas, are quite short and have a very strict pattern.

https://en.m.wikipedia.org/wiki/Sevillanas

I’m accompanied by my ‘metronome’. It is very unfair to call the iPad app DrumPerfect a metronome, because it is so much more. But I’ve added some cajon and clapping samples I’ve found and bought, and programmed the rhythms to the best of my knowledge, given I’ve had no training in flamenco cajon or palmas. 

http://www.drumperfect.nl/

I’ve put a little demo on the screen. I did this using LumaFusion, another iPad app. Eventually I’ll even learn how to use it.

I’ve also tried recording with a microphone. It’s a Rode NT5, and I think it adds to the sound, although it does make the whole process more intricate and time consuming. I’d be interested in opinions.

I’m also trying new strings – Luthier L40’s that were recommended to me. I like them so far, although I miss the Savarez Alliance ‘fizz’. I just wish I could tone that ‘fizz’ down sometimes. Anyway, I’ll spend a little bit of time with the Luthier string family.

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