Almost 30 years ago I became a community musician. I hadn’t considered this as a possibility before, but a local arts officer convinced me that it was something people did and gave me many opportunities to give it a go. One of the opportunities was learning from a Jamaican master drummer called Karly. He was performing with Irie Dance Theatre, and was convinced to stay with me, and teach us a few authentic rhythms for a local carnival band. At one point he turned around to me and said that he had given me many years work. And it was true.
I remember driving somewhere with Karly and a friend. My friend was into electronic dance music, and shared something in the car journey. Together with my new ‘understanding’ of roots music I was convinced Karly would hate the music. I was wrong. I think he liked the accuracy of the rhythms.
He asked me and another friend to perform with him at a Womad festival. My friend, who could really play the drums, was late. Karly checked my rhythm out shortly before the performance and decided against it. I think I had the intention, energy etc, but something missing in the accuracy department.
Later I was asked to accompany an Irie dancer in several weeks of dance workshops. Prince wasn’t just a dancer – he could really drum as well. He told me the basic pattern, and asked me to stick to it. Anytime I tried to do any variations he would scowl at me, and shake his head. I’m not sure if he needed this for his teaching, or just thought I wasn’t ready. After several weeks of repeating the same pattern over and over again I was so much better at drumming. It was a hard, but important lesson.
When me and my family moved to Huelva for 6 months a few years ago I had flamenco guitar lessons from a few different people. They were all useful. In between 2 teachers I had a lesson with a woman who, after listening to me play, gave me a relatively easy exercise and told me to play it a lot. She also told me not to worry about the complex rhythms too much, I needed to learn to keep the basic beat first.
I have many things to be grateful for.
This week’s video is a Tangos, by Moraito. Tangos is (in theory) a straightforward palo*, as it’s in 4/4 time, and quite repetitive. In reality, of course, it is one of the hardest to get right. (This reminds me of the time that Karly tried to teach a few of us authentic reggae. Oh how he laughed.)
I’m also using Dr. Compás, an iPhone/iPad app that plays good flamenco cajon and palmas to play over.